Anime and Memory: Aesthetic, Cultural and Thematic Perspectives Dani Cavallaro. 2009. Anime and Memory: Aesthetic, Cultural and Thematic Perspectives. :193.
Public memory and modern experience. Geoffrey H. Hartman. 1993. Public memory and modern experience.. Yale Journal of Criticism. 6(2):239.
The Memory-History-Popular Culture Nexus: Pearl Harbor As a Case Study in Consumer-Driven Collective Memory Patricia Leavy. 2005. The Memory-History-Popular Culture Nexus: Pearl Harbor As a Case Study in Consumer-Driven Collective Memory. Sociological Research Online. 10(1):1-1.
Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films May Telmissany. 2010. Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films. Comparative Studies of South Asia, Africa and the Middle East. 30(1):69-84.
Memory and the transformation of social experience in modern Japan: rethinking the song `Home' Ryuzo Uchida. 1999. Memory and the transformation of social experience in modern Japan: rethinking the song `Home'. Media, Culture & Society. 21(2):205-219.
Dynamics of memory: Commemorating the 2005 London bombings in British television news Nuria Lorenzo-Dus, Annie Bryan. 2011. Dynamics of memory: Commemorating the 2005 London bombings in British television news. Memory Studies. 4(3):281-297.
(Web)sites of Memory and the Rise of Moral Mnemonic Agents Tamar Ashuri. 2011. (Web)sites of Memory and the Rise of Moral Mnemonic Agents. New Media & Society.
Everybody Liked It: Collective Memories of Early Flemish Television Fiction Alexander Dhoest. 2006. Everybody Liked It: Collective Memories of Early Flemish Television Fiction. Particip@tions. 3(1)
Journalistic Uses of Collective Memory. Jill A. Edy. 1999. Journalistic Uses of Collective Memory.. Journal of Communication. 49(2):71-85.
Lanzmann and Deleuze: On the Question of Memory Allan. Stoekl. 1998. Lanzmann and Deleuze: On the Question of Memory. symploke. 6(1):72-82.