Photographical History, Everyday Life, and Memory: Wang Anyi as a Storyteller Ban Wang. 2012. Photographical History, Everyday Life, and Memory: Wang Anyi as a Storyteller. Journal of Historical Sociology. 25(2):183–198.
Between Silence and License: The Representation of the National Socialist Persecution of Homosexuality in Anglo-American Fiction and Film Dorthe Seifert. 2003. Between Silence and License: The Representation of the National Socialist Persecution of Homosexuality in Anglo-American Fiction and Film. History and Memory. 15(2):94-129.
The Mitlaufer in Two German Postwar Films: Representation and Critical Reception Ulrike Weckel. 2003. The Mitlaufer in Two German Postwar Films: Representation and Critical Reception. History and Memory. 15(2):64-93.
Scripting for Hollywood: Power, Performance and the Heroic Imagination in Abu Hanna's "Real Arabian Nights" Tania Forte. 2006. Scripting for Hollywood: Power, Performance and the Heroic Imagination in Abu Hanna's "Real Arabian Nights". History and Memory. 18(2):48-85.
"The Graves of the Gallant Highlanders": Memory, Interpretation and Narratives of Culloden John R. Gold, Margaret M. Gold. 2007. "The Graves of the Gallant Highlanders": Memory, Interpretation and Narratives of Culloden. History and Memory. 19(1):5-24,26-38.
The Incredible Transformation of Dr. Bessel: Alternative Memories of the Great War in German War Films of the Late 1920s Ofer Ashkenazi. 2008. The Incredible Transformation of Dr. Bessel: Alternative Memories of the Great War in German War Films of the Late 1920s. History and Memory. 20(1):121-152.
Victory in Death: Annihilation Narratives in Russia Today Gregory Carleton. 2010. Victory in Death: Annihilation Narratives in Russia Today. History and Memory. 22(1):135-169.
An Everyday Magic: Cinema and Cultural Memory Annette Kuhn. 2002. An Everyday Magic: Cinema and Cultural Memory. :292.
Trauma and Cinema: Cross-Cultural Explorations E. Ann Kaplan, Ban Wang. 2008. Trauma and Cinema: Cross-Cultural Explorations. :288.