Remembering the Red Army Faction Clare Bielby. 2010. Remembering the Red Army Faction. Memory Studies. 3(2):137-150.
I Witness: Re-presenting Trauma in and by Cinema Tamar Ashuri. 2010. I Witness: Re-presenting Trauma in and by Cinema. The Communication Review. 13(3):171-192.
The Past Under Erasure? History, Memory, and the Contemporary Geoff Eley. 2011. The Past Under Erasure? History, Memory, and the Contemporary Journal of Contemporary History. 46(3):555-573.
Prime Time Commemoration: An Analysis of Television Broadcasts on Israel's Memorial Day for the Holocaust and the Heroism (Motti Neiger) - Academia.edu Oren Meyers, Eyal Zandberg, Motti Neiger. Submitted. Prime Time Commemoration: An Analysis of Television Broadcasts on Israel's Memorial Day for the Holocaust and the Heroism (Motti Neiger) - Academia.edu.
When Analog Cinema Becomes Digital Memory. .. David. Tafler. 1999. When Analog Cinema Becomes Digital Memory. ... Wide Angle. 21(1):181-204.
The Sexual Politics of Time: Confession, Nostalgia, Memory Susannah Radstone. 2007. The Sexual Politics of Time: Confession, Nostalgia, Memory. :255.
Anime and Memory: Aesthetic, Cultural and Thematic Perspectives Dani Cavallaro. 2009. Anime and Memory: Aesthetic, Cultural and Thematic Perspectives. :193.
Public memory and modern experience. Geoffrey H. Hartman. 1993. Public memory and modern experience.. Yale Journal of Criticism. 6(2):239.
Genocide Films, Public Criminology, Collective Memory Michelle Brown, Nicole Rafter. 2013. Genocide Films, Public Criminology, Collective Memory. British Journal of Criminology. 53(6):1017-1032.
Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films May Telmissany. 2010. Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films. Comparative Studies of South Asia, Africa and the Middle East. 30(1):69-84.
