Drawing History: Interpretation in the Illustrated Version of the 9/11 Commission Report and Art Spiegelman's In The Shadow of No Towers as Historical Biography Mary Louise Penaz. 2009. Drawing History: Interpretation in the Illustrated Version of the 9/11 Commission Report and Art Spiegelman's In The Shadow of No Towers as Historical Biography. a/b: Auto/Biography Studies. 24(1):93-112.
Making Time: Memorializing History in Athalie Harriet Stone. 1998. Making Time: Memorializing History in Athalie. L'Esprit Créateur. 38(2):95-104.
Sterne, Sebald, and Siege Architecture Jonathan Lamb. 2006. Sterne, Sebald, and Siege Architecture. Eighteenth Century Fiction. 19(1):21-41.
Open to Suggestion: Hypnosis and History in Pat Barker's Regeneration Anne Whitehead. 1998. Open to Suggestion: Hypnosis and History in Pat Barker's Regeneration. MFS Modern Fiction Studies. 44:674-694.
The Angel of History's Forged Signature: The Ruins of Memory and the Task of Mourning in a Brazilian Postdictatorial Novel Idelber Avelar. 1998. The Angel of History's Forged Signature: The Ruins of Memory and the Task of Mourning in a Brazilian Postdictatorial Novel. MFS Modern Fiction Studies. 44:184-214.
A Distraught Woman Omar Eby. 2006. A Distraught Woman. River Teeth: A Journal of Nonfiction Narrative. 8(1):31-36.
Memories Are Made of This: How Memory Works in Humans and Animals (review) Rob. Harle. 2005. Memories Are Made of This: How Memory Works in Humans and Animals (review). Leonardo. 38(5):433-434.
Teaching the Representation of the Holocaust Marianne Hirsch, Irene Kacandes. 2004. Teaching the Representation of the Holocaust. Options for teaching. :512.
Memory and tradition in the book of Numbers Adriane Leveen. 2008. Memory and tradition in the book of Numbers. :256.
Scraping Down the Past: Memory and Amnesia in W. G. Sebald's Anti-Narrative Kathy Behrendt. 2010. Scraping Down the Past: Memory and Amnesia in W. G. Sebald's Anti-Narrative. Philosophy and Literature. 34(2):394-408.
